{"id":44024,"date":"2017-03-04T12:23:22","date_gmt":"2017-03-04T06:53:22","guid":{"rendered":"http:\/\/globalpress.hinduismnow.org\/?p=44024"},"modified":"2017-03-04T12:23:22","modified_gmt":"2017-03-04T06:53:22","slug":"music-way-bengal-sangskriti-utshab-sees-highest-turnout","status":"publish","type":"post","link":"https:\/\/globalpress-new.hinduismnow.org\/?p=44024","title":{"rendered":"Music all the way – Bengal Sangskriti Utshab sees highest turnout"},"content":{"rendered":"

The penultimate day (March 2) of Bengal Sangskriti Utshab Sylhet 2017 saw a huge turnout to watch the enthralling musical performances by both Bangladeshi and Indian artistes who entertained tens of thousands with their offerings of classical music, folk songs, Nazrul Sangeet and adhunik songs.
\nYoung artistes of Jatiya Rabindra Sangeet Sammilan Parishad, Sylhet set off the event with performing drut kheyal and chaturanga based on Raga Bhupali. Pratik Endo directed music while Gautam Goswami was on tabla for the presentation. Young artistes of Shishuteertha presented a musical (Geeti-nrityalekkhya) titled \u201cBubur Biye\u201d. Pratik Endo, Neeta Roy and Animesh Bijoy Chowdhury directed music while Shantana Devi directed dance for the production.
\nPromising artiste Rakiba Islam Oishee was on precise melody while performing solo Nazrul Sangeet. The singer rendered several songs — \u201cSrijan Chhonde Anande\u201d, \u201cShyama Naam-er Laglo Agun\u201d, \u201cMor Ghumghor-e Ele Monohor\u201d and \u201cAmar Nayone Nayon Rakhi\u201d. Enamul Haque Omar on tabla, Mahmudul Hasan on harmonium, Monwar Hossain Tutul on guitar, Rooptanu Das Sharma on keyboard, Asit Biswas on esraj, Ekram Hossain on percussion and Mohammad Moniruzzaman on flute accompanied the singer.
\n

Haimanti Sukla immersed performance held audience captive. Photo: Sheikh Mehedi Morshed<\/p><\/div>
\nShafiul Alam Raja entertained the audience with his repertoire of bhawaiya songs –\u201cPhande Poria Boga Kande Rey\u201d, \u201cMontaye More Pitha Khabar Chaye\u201d, \u201cO Ki Garial Bhai\u201d, \u201cBaukumta Batash\u201d, \u201cTui Kyane Dakilu\u201d, and \u201cJamai Aishachhe\u201d \u2013at the festival.
\nNoted Nazrul singer Ferdous Ara started off with the song \u201cAnjali Loho Mor\u201d followed by \u201cKhelichho E Bishwa Loye\u201d, \u201cBhuli Kemone\u201d, \u201cNacher Neshaye\u201d, \u201cLaili Tomar\u201d and \u201cBaje Monjul Manjir\u201d. The artiste wrapped up with a Shah Abdul Karim song \u201cGaan Gai Amar Mon Rey Bujhai\u201d.
\nEminent singer Haimanti Sukla also set off her rendition with a Nazrul Sangeet \u201cSandhya Godhuli Logone Ke\u201d. She later performed Manna Dey’s \u201cThikana Na Rekhe Bhaloi Korechho Bondhu\u201d. Her repertoire of original records \u201cAmar Bolar Kichhu Chhilo Na\u201d, \u201cAmi Obujher Moto E Ki Korechhi\u201d, \u201cProthomo Shokal\u201d and \u201cJodi Surer Dolatey\u201d was received well.
\nThe audience gave artiste Parvathy Baul rounds of applause while she was taking the stage. She started off with chanting a sloka. The devoted Vaishnabi first offered the song \u201cTai Ami Gaud Bole Daki\u201d to express her devotion towards the eternal soul. The artiste then danced to the self-searching piece \u201cAmar Bhetore\u201d with ektara in one hand and duggi in another. Parvathy, with her repeated circular movements, expressed joy and amused the audience. She also performed other songs including, \u201cEsho Hey Amar Sakhi\u201d and \u201cKichhudin Mon-e Mon-e\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"

The penultimate day (March 2) of Bengal Sangskriti Utshab Sylhet 2017 saw a huge turnout to watch the enthralling musical performances by both Bangladeshi and Indian artistes who entertained tens of thousands with their offerings of classical music, folk songs, Nazrul Sangeet and adhunik songs. Young artistes of Jatiya Rabindra Sangeet Sammilan Parishad, Sylhet set […]<\/p>\n","protected":false},"author":19,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":""},"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/globalpress-new.hinduismnow.org\/index.php?rest_route=\/wp\/v2\/posts\/44024"}],"collection":[{"href":"https:\/\/globalpress-new.hinduismnow.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globalpress-new.hinduismnow.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globalpress-new.hinduismnow.org\/index.php?rest_route=\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/globalpress-new.hinduismnow.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=44024"}],"version-history":[{"count":0,"href":"https:\/\/globalpress-new.hinduismnow.org\/index.php?rest_route=\/wp\/v2\/posts\/44024\/revisions"}],"wp:attachment":[{"href":"https:\/\/globalpress-new.hinduismnow.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=44024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globalpress-new.hinduismnow.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=44024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globalpress-new.hinduismnow.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=44024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}